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Picturethreeplaces.1.AworkshopinGermanywherewefollowthemakingofaprosthetichand.2.Atraditionalglove-makingworkshopinMillau,inthesouthofFrance.3.AjeansfactoryinIstanbul,illustratinglarge-scaleindustrialproduction.Asuccessionofthreeworkplaces,butwithacommonviewpointandsubject:therelationshipbetweenthehandandthemachine,theworkandthematerial,allofthempatientlyandrigorouslyobserved.DanielEisenbergscrutinisestheseinteractionsandgesturesmeticulously,andhepayscloseattentiontoeachactioninvolvedandtothetimerequiredforeachoperation,fromthestartingpointtothefinishedforms.Withthisfilm,Eisenbergcontinuestheworkhestartedwithhispreviousone,TheUnstableObject(FID2011),inwhichhealsousedatriangularstructuretocomparetheworkinahigh-techcarfactoryinDresden,theninanantiquatedclockrepairshopinChicago,andfinallyinacymbalfactoryinIstanbul.Fromoneproductionsitetothenext,thefilmfocusesonhands,bodies,images:reconstructedbodies,modelledbodies,dressedbodies.Andonthesocialbodyaswell–eithercollectivebodiesatwork,ortheirimages,shapedbytheveryobjectswhicharebeingproduced.Thepatienceofanattentivecameraandthefascinatingrhythmofthischoreographyletthegesturesfullyunfold.Thegeographyofproductionmodesalsoshapesthestoryitunderlies,liketheglobalisationofexchanges.Andwhatisalsoparamounthereisthatthetimeittakestomaketheobjectsseemstomirrortheexperienceoftheviewerwatchingthefilm,likeanechobetweenabsorbedgazes,theirslikeours.Anicepieceofactualworkfromthegazeandthemindabouttheeversounstableobjectthatiswork.源自:https://fidmarseille.org/en/film/the-unstable-object-ii/
在一次改变人生的经历后,13岁的艾拉渴望把握住每一天。当她学会珍惜每一刻的同时,她勇敢地面对以往内心的恐惧,并且鼓励他人也破除心里的畏惧。
剧集是一部以迷人的伦敦切尔西区为背景的当代犯罪片,住在船屋的探长Max Arnold 虽出生在精致富有的切尔西区,但他本人行事低调的风格却与精英专属的切尔西区相去甚远。他与周围的邻居相隔一段距离,住在一艘船屋上。Max 和他的搭档Priya Shamsie探员解决了一系列骇人听闻的谋杀案,揭开了切尔西标志性建筑背后的阴暗世界。他们所遇见的尸体,出现在一些不太可能的地方,包括家族经营的意大利餐厅、与足球流氓有勾连的社区花园中心等。