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比佛利山的多栋豪宅都是由毛里西奥·乌曼斯基的家族企业“爱诚思房屋”代销，但在这里的每个角落，天天都有夸张场面上演。
该剧受《切尔诺贝利》的启发，由法国消防员的真实叙述改编，探究2019年巴黎圣母院大火对一群背景各异的巴黎人带来哪些冲击。
以消防员、新闻人、民众等不同身份的多个角色的不同视角，来回顾这次事故，将“重建时间线、再现大火前后，他们（事件相关的人）将必须互相去斗争、热爱、遇见、仇恨、帮助和对彼此展现笑容，这样，到头来，他们才有重新开始的机会”。
Melissa Barrera将主演Netflix的剧集《喘息 Breathe》，这部由《盲点 Blindspot》主创Martin Gero及执行制片Brendan Gall所负责的剧讲述一架小型飞机在加拿大荒野坠机后，原本只是个律师的女主（Melissa Barrera饰）得想尽办法生存下去。
宝贝老板意外与圣诞老人的精灵互换身份，还被困在了北极，平安夜就此发生惊人转折。
Picturethreeplaces.1.AworkshopinGermanywherewefollowthemakingofaprosthetichand.2.Atraditionalglove-makingworkshopinMillau,inthesouthofFrance.3.AjeansfactoryinIstanbul,illustratinglarge-scaleindustrialproduction.Asuccessionofthreeworkplaces,butwithacommonviewpointandsubject:therelationshipbetweenthehandandthemachine,theworkandthematerial,allofthempatientlyandrigorouslyobserved.DanielEisenbergscrutinisestheseinteractionsandgesturesmeticulously,andhepayscloseattentiontoeachactioninvolvedandtothetimerequiredforeachoperation,fromthestartingpointtothefinishedforms.Withthisfilm,Eisenbergcontinuestheworkhestartedwithhispreviousone,TheUnstableObject(FID2011),inwhichhealsousedatriangularstructuretocomparetheworkinahigh-techcarfactoryinDresden,theninanantiquatedclockrepairshopinChicago,andfinallyinacymbalfactoryinIstanbul.Fromoneproductionsitetothenext,thefilmfocusesonhands,bodies,images:reconstructedbodies,modelledbodies,dressedbodies.Andonthesocialbodyaswell–eithercollectivebodiesatwork,ortheirimages,shapedbytheveryobjectswhicharebeingproduced.Thepatienceofanattentivecameraandthefascinatingrhythmofthischoreographyletthegesturesfullyunfold.Thegeographyofproductionmodesalsoshapesthestoryitunderlies,liketheglobalisationofexchanges.Andwhatisalsoparamounthereisthatthetimeittakestomaketheobjectsseemstomirrortheexperienceoftheviewerwatchingthefilm,likeanechobetweenabsorbedgazes,theirslikeours.Anicepieceofactualworkfromthegazeandthemindabouttheeversounstableobjectthatiswork.源自：https://fidmarseille.org/en/film/the-unstable-object-ii/
